Wednesday, March 30, 2011

Monday, March 14, 2011

At Least It's Green



You know when a great time to pick your nose is? When you are not on a float in a parade.

Into His Own Parade



A man carries a sign along the parade route just before the start of the St. Patrick's Day parade in San Francisco on Saturday, March 12, 2011. This was the 160th presentation of the annual event.

Thursday, March 10, 2011

Food in San Francisco: Places We Won't Revisit



San Francisco has some of the best food in the world. I say that after having lived in Manhattan. There are many, many places that provide truly excellent eats.

But there's also more tolerance for restaurants with low standards. Places that get away with a level of quality that is just not up to the prices they charge. There are many restaurants that would get chased out of town in New York by the more competitive place down the street, but thrive here.

(The worst: places that get by on location. For example: The Four Seas restaurant in Chinatown. Our experience there was terrible. Do not go, under any conditions.)

We've also experienced other restaurants here that are consistently voted "best" but ... maybe coast a bit. Mamacita's on Chestnut? We arrived two minutes before 5 p.m., and -- along with the other folks who'd shown up a few minutes early -- were treated as if we were imposing on the somewhat unfriendly greeters. Quite rude of us to show up, hungry with cash in hand.

I love San Francisco's laid back attitude, but ... waiters, if you see a hungry-looking guy push away his plate with more than half left uneaten, and he makes a face when you ask if you should box it, you might want to ask if it was okay. Because it wasn't.

Bar Crudo on Divisadero? I like the look. The food was fine, though not fantastic. But we stopped at appetizers instead of staying for dinner because your waitress showed up with her personal issues on display. I do not care if your boyfriend is a jerk, give me the damn horseradish without rudeness ... and I won't write out a note to your boss on the credit card receipt about your rudeness. When you're the type of restaurant that gets by on vibe ... create a positive vibe.

Above: a place I will be going back to, David's Delicatessen on Geary.

Sunday, March 6, 2011

Saturday, February 19, 2011

Friday, February 18, 2011

Last Man Standing



A sudden rainstorm leaves one last player on the field at Kimbell Playground in San Francisco, Wednesday, Feb. 16, 2011.

Friday, February 11, 2011

Why Mr. Fortune Quit Smoking



Whenever I see a crazy note, I feel compelled to photograph it. Especially one so systematically organized.

Saturday, January 15, 2011

Wednesday, January 12, 2011

Word on the Street, Eponymous Edition



Since moving to San Francisco, I've been photographing any etched messages I find on the sidewalk. I've called the series Word on the Street.

This was on Divisadero. I hadn't seen it before Sunday night, though I've walked over it before.

Monday, January 10, 2011

Have Your People Call My People



The thing about Zoo photographs (beyond being completely unnatural, unsporting and often sad ... if you really think about it) is that the backgrounds are often ridiculously artificial. I think, from a technique standpoint it makes sense to approach these kind of shots backwards: background first.

The other tough thing: getting model releases signed.

Above: Saturday at the San Francisco Zoo.

Friday, January 7, 2011

Word on the Street, Self-Referential Edition



I assume someone took the time to stuff the bits of plant into the letters, but maybe instead someone tried to sweep the street and left this behind. I can't say for sure.

Thursday, January 6, 2011

Wednesday, January 5, 2011

Sketching



Above: Rainboots in the Marc by Marc Jacobs window, Fillmore Avenue, San Francisco, January 5, 2011.

Tuesday, January 4, 2011

Word on the Street, Double Feature Edition




One of the things I'm not sure photographers fully appreciate yet about micro four thirds format cameras like the Panasonic GH1 and Panasonic GH2 is that you can essentially work with a 100% viewfinder. If you see it, that's exactly how it will appear in the final image. That makes working with edges much easier, really. If you want a crack in the street exactly at the bottom of the frame, just compose it in the viewfinder as you like.

Above: two snaps north of Fillmore Street today.